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Papuan Legislative Commission Seeks More Papua Batik Production in Papua

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Papua Batiks are actually produced in large scale outside Papua - Supplied

Papua Batiks are actually produced in large scale outside Papua – Supplied

Jayapura, Jubi – The Comission II of the Papua Legislative Council for People’s Economic Affairs said they would support the Papuan batik industry by bringing the production of the garments to Papua.

The Chairman of the Commission II Deerd Tabuni said Papua Batiks are actually produced in large scale outside Papua, while its production at home was limited and done manually.

“As the result of Papua Batik was produced at the outside of Papua, the content of stories in the batik’s motives was partial. Yet each motive of Papua Batik is the stories of various regions in Papua. In the future we will promote Papua batik to be produced in Papua,” said Tabuni on Wednesday (14/9/2016).

According to him, if Papua Batik was produced in Papua, not only it would create jobs but also generate revenue for the province.

“Papua batik is not only acknowledged nationally but internationally as well. It has become a souvenir of those who visit Papua. But it is manufactured outside Papua, in Pekalongan,” he said.

Taken from the human resources, said Tabuni, Papua has the batik craftsmen whose skills was no need to be questioned, such as Jimmy Affar and Mrs. Blandina Ongge. Both are involved in the art of batik for decades. “Papua batik craftsmen have the ability to design the batik motives from each regency in Papua,” he said.

Similarly the Deputy Chairman of the Commission II Madai Gombo said his commission has intention to promote Papua batik to be produced in Papua.

“Papua batik has a potential market. Only it has not get attention and managed properly in Papua. If it was produced in Papua, it would become a source of income for the community,” said Gombo.

During the time, according to him, Papua batik was produced at the outside of Papua but was distributing in Papua. The price is fairly expensive. “If Papua batik was produced in Papua, its motives could be differs of each regions located in the five customary areas in Papua, namely Mamta, Saireri, Lapago, Meepago and Anim Ha,” he added. (*/rom)

Arts & Culture

Hungarian student attracted to traditional Papuan food

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Regina Laurents while processing sago with Papuan women from Kwadeware, Sentani. – Jubi/Engel Wally

Jayapura, Jubi – Papua is always an attractive place for international tourists to visit every year, and a Hungarian student Regina Laurents, who said coming to Papua because interested in studying the Papuan culture including its culinary method such as how to process sago traditionally, is just an example of it.

“I observe the traditional sago processing method is very good. I had eaten sago in Sulawesi once but never knew how to prepare it. I am happy that I can see its process here directly,” said Regina while attending the Sago Festival II in Kwadeware, Jayapura District on Thursday (21/06/2018).

Laurents is a culinary student who is undergoing an exchange program in Indonesia. For two years, she has been in various Indonesia regions, in particular, Papua to learn the traditional food processing method. Therefore, she felt lucky attending the Sago Festival. “I am pleased that I can learn a lot here, and I will certainly tell my friends about Papua.”

Moreover, She hopes this festival would continue to promote the Papuan traditional culinary as well as to attract more international tourists to come.

Sago Festival II was held in Kwadeware Village of Waibhu Sub-district, Jayapura District on Thursday (21/06/2018). Despite a variety of processed and traditional foods made from sago exhibited at the festival, visitors can also observe how to process raw sago before it becomes a delicious food. (*)

 

Reporter: Engel Wally

Editor: Pipit Maizier

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Kosapa promotes the born of young Papuan authors

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Writing skills training for young Papuans held by Kosapa. – Jubi/Hengky Yeimo

Jayapura, Jubi – Benediktus Tigi told Jubi he was glad to participate in a series of writing skills training held by Papuan Literature Community (Kosapa) in Papua.

“I am happy to participate in a training on poetry writing, because of that, some of my wirings published in the Kosapa media. I also hope Kosapa can continue to conduct a training for Papuan youth to keep them update,” he said.

The Papuan Literature Community, known as Kosapa, was established in June 2009 following a discussion of two founders Gusti Masan Raya and Andi Tagihuma on Facebook. Later they initiated to form a Facebook group.

“It was born following to our concern on the literature development in Papua that has been stagnant at that moment while we knew that Papuans live in the midst of the richness of literature,” Tagihuma told Jubi at the Kosapa Library on Sunday (17/6/2018).

In the same year, he continued, Kosapa not only conducted a discussion on Facebook but also held various activities including the book review, film screenings, journalistic training and essays writing training for students. It even created a website www.sastrapapua.com.

In October 2012, Kosapa collaborated with Yayasan Mudra Swari Saraswati to conduct Event Ubud Writers & Readers Festival in Jayapura and then with Jubi to manage with the literature section that published every Friday.

In 2017, Kosapa published three books of short story anthology, poetry, and wise words. The publication of these books was aimed to encourage the literature development in Papua and appreciated the Papuan authors who wrote those books.

“Currently there are eight drafts of books that ready to publish,” said Tagihuma who was the coordinator of Kosapa until 2016. He also hopes Papuan authors not only get recognition locally but also internationally.

Since 2016, Kosapa has a new board, Hengky Yeimo as the coordinator and Aleks Giay as the secretary. It continues with a series of activities including literacy campaign, training on both fiction and non-fiction writing skills for both students and public, reading poetry, consolidation of literature activists in Papua and public gathering to watch documentary films related to science, weekly and monthly discussion session involving the literature and cultural activists in Jayapura City.

The secretary of Kosapa Alex Giyai said Kosapa established to promote the local culture and Papuan literature that closely related to oral culture. “We must save the oral culture in the form of writing, if not Papuan generation will lose their identity,” he said.

Kosapa, he continued, dreams for the born of more Papuan authors because there are still many historical stories and issues in the past that have not yet revealed. It is an opportunity for Papuans to tell their own stories rather than the outsiders.

Meanwhile, Alfrida Yomanop, author of the book “Lembahayung Senja” said the role of Kosapa in promoting the local wisdom and Papuan literature as well as to promote literacy in Papua is very important.

“I appreciate my friends in Kosapa who continue to support the literature development in Papua through various activities. They have encouraged the younger generation of Papua to be able to write the native stories from their respective areas,” she said. (*)

 

Reporter: Hengky Yeimo

Editor: Pipit Maizier

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Papua Printing Company to support young Papuan writers

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Komunitas Sastra Papua (Papuan Literature Community) when launching a discussion on literacy education in Jayapura. – Jubi/Hengky Yeimo

Jayapura, Jubi- Komunitas Sastra Papua (Papuan Literature Community) asked the Papua Provincial Government to reactive the regional company ‘Percetakan Rakyat Papua’ (Papua Regional Printing Company) to response the current demand of publication since many young Papuans are now becoming a writer.

However, the main constraint is in printing,” said the secretary of Komunitas Sastra Papua (Kosapa) Aleks Giyai on Thursday (31/5/2018).

Percetakan Rakyat Papua is considered bringing opportunities for Papuans to get the lower-cost printing. “To print some printed items such as books, magazines, calendars and so on, we have to make an order in Java. Even though the printing cost is quite cheaper, the shipping cost is expensive,” explained Giyai.

Meanwhile, cultural activist Andy Tagihuma thought books play a crucial role in developing a character of a nation. “The gradual progress of literacy development in Papua is a result of the inconsistent book publishing,” said Tagihuma.

He further said Papua should be able to produce and publish books and other writings locally like what has been done by the University of Cenderawasih in the past, which printed most of their writings such as Warta Uncen and other scientific journals independently. “But now they mostly send it to Java for printing,” he said. (*)

Reporter: Hengky Yeimo

Editor: Pipit Maizier

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